"Maria-Star, reach in there and pull that lock of hair back," Alfred Cumberland directed from behind the camera. The photographer was a heavyset black man with graying hair and mustache. Maria-Star Cooper took a quick step in front of the camera to rearrange a stray strand of my long blond hair. I was bent backward over Claude's right arm, my invisible (to the camera, anyway) left hand desperately clutching the back of his black frock coat, my right arm raised to rest gently on his left shoulder. His left hand was at my waist. I think the pose was meant to suggest that he was lowering me to the ground to have his way with me.

Claude was wearing the black frock coat with black knee pants, white hose, and a white frothy shirt. I was wearing a long blue dress with a billowing skirt and a score of petticoats. As I've mentioned, the dress was scanty on the topside, with the little sleeves pushed down off my shoulders. I was glad the temperature in the studio was moderately warm. The big light (it looked to my eyes like a satellite dish) was not as hot as I'd expected.

Al Cumberland was snapping away as Claude smoldered down at me. I did my best to smolder right back. My personal life had been, shall we say, barren for the past few weeks, so I was all too ready to smolder. In fact, I was ready to burst into flames.

Maria-Star, who had beautiful light-toast skin and curly dark hair, was standing ready with a big makeup case and brushes and combs to perform last-minute repairs. When Claude and I had arrived at the studio, I'd been surprised to find that I recognized the photographer's young assistant. I hadn't seen Maria-Star since the Shreveport packleader had been chosen a few weeks before. I hadn't had much of a chance to observe her then, since the packmaster contest had been frightening and bloody. Today, I had the leisure to see that Maria-Star had completely recovered from being hit by a car this past January. Werewolves healed quickly.